Cheryl Thornburg
Sun News
It has been a little more
than a year since No Strings Theatre Company presented its first
production, Edward Albee's "Seascape" at the Black Box Theatre.
It was a first-rate production with uncanny performances and incredible
costumes - a complete package. I wondered at the time if Ceil
and Peter Herman could maintain that level of theatre in subsequent
productions. And they have. The latest play "The Beauty Queen
of Leenane" by playwright Martin McDonagh, is the latest pearl
in a string of dynamic theater-going experiences.
The play is part of a trilogy that
includes "The Lonesome West," produced earlier this year at the
Black Box. Both are set in Ireland, and there are references to
characters and situations that the plays have in common.
McDonagh's characters are multi-faceted,
sometimes violent in nature, and the relationships are complex
and at times disturbing. In the intimate setting of the Black
Box, one feels like you're eavesdropping on very private conversations
and events.
"The Beauty Queen of Leenane" centers
on a volatile mother-daughter relationship. Maureen Folan, the
40-year-old daughter is a spinster who is caring for her aging
mother, who is controlling and demanding.
Anne Marie Pennies, a regular performer
with the Dona Ana Lyric Opera, plays Maureen. At first, she seems
too young to be playing the part, but her acting skill quickly
takes over and she is convincing as the bitter and lonely Maureen.
She is particularly effective as she spars and sometimes baits
her mother, played by Susan Smith, who may be remembered for her
performance several years ago in "Who's Afraid of Virginia Woolfe"
at Las Cruces Community Theatre. Together they are formidible
and the tension, frustration and anger they create - palpable.
Smith is a master of body language
and finely tuned facial expressions that say far more than words.
Add to the mix a would-be suitor,
Pato Dooley, played by veteran actor, Patrick Payne, and the stage
is set for high drama as well as comic relief to ease the intensity
of the emotional scenes. Payne brings to Pato his leading-man
charm with just a touch of Irish blarney, making the character
a welcome and soothing element of the play. Payne, who played
one of the brothers in "The Lonesome West," is so comfortable
with the Irish dialect that he must be calling on some Irish ancestors
to guide him.
Shane Bennet plays Pato's younger
brother, Ray, whose laziness is integral to the plot. Bennett
is a first-rate comedian and he makes the most of the role, providing
much-needed laughter to balance the uncomfortable scenes between
mother and daughter.
Director Michael Wise has come up
with another winner. His local credits include "Twelfth Night"
and "Buried Child" for the American Southwest Theatre Company,
"Sweeney Todd" and "Don Giovanni" for the Dona Ana Lyric Opera,
and No Strings Theatre Company's production of "A Life in the
Theatre."
"The Beauty Queen of Leenane" is
difficult to categorize. It is compelling theatre with moments
of laughter, but primarily unforgettable scenes of human drama
that make you feel the pain of the characters. It is not suitable
for young children.
"The Beauty Queen of Leenane" continues
at the Black Box Theatre, 430 N Downtown Mall, Nov. 2-4 and Nov.
8-11. Friday and Saturday performances are at 8 p.m., Thursdays
and Sunday Nov. 4 are at 7 p.m. There will be a final matinee
Sunday, Nov. 11 at 2:30 p.m.
Ticket prices are $7 regular and
$6 students and seniors over 65. All seats on Thursdays are $5.
To make reservations, call (505)-523-1223
or online at www.zianet.com/nstcbbt using the reservations form.
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