Gilbert and Sullivan Company of El Paso's
The Sorcerer
Libretto by William S. Gilbert
Music by Arthur S. Sullivan
Directed by Joan Quarm
 
 
Performances are July 29 at 8:00 p.m. and July 30 at 2:30 p.m.  Ticket prices are $9.00 regular admission, $8.00 students and seniors over 65.  Reservations: (505) 523-1223
or
 
The Gilbert and Sullivan Company of El Paso celebrates its 37th annual musical comedy production presenting "The Sorcerer" directed by Artistic Director, Joan Quarm, at the Black Box Theatre, 430 N Downtown Mall in Las Cruces. Performances are July 29 at 8:00 p.m. and July 30 at 2:30 p.m. The company has brought their entertaining productions to the Black Box Theatre since bringing "Trial by Jury" to Las Cruces in 2004.
"The Sorcerer" is the first full-length operetta written by Gilbert and Sullivan. After the success of their one act operetta "Trial By Jury" in 1875, Gilbert and Sullivan, and their producer Richard D'Oyly Carte, decided to produce a longer work. D'Oyly Carte was very interested in developing an English form of light opera to displace the French works that had dominated the London theatre scene. Whereas the French operettas often had stereotypical and cartoonish characters, Gilbert and Sullivan wrote operettas which avoided overt sexual references and situations found in French operetta and developed characters which were much more identifiable. 
For "The Sorcerer," Gilbert expanded on one of his earlier writings, a short story called "the Elixir of Love," which contained a plot about a magic love potion that would result in everyone falling in love with the wrong partner. "The Sorcerer" was the first full-length example of what came to be known as the Savoy Operas, although the Savoy Theatre was not yet built. First produced at the Op鲡 Comique in London on November 17, 1877, "The Sorcerer" poked fun at Victorian notions of social propriety and class distinction, but it was so polished, witty and respectable that no one took offense. "The Sorcerer" was revived, along with "Trial By Jury" in 1884 at London's Savoy Theatre.
The D'Oyly Carte repertory and production system began with "The Sorcerer." Before that time, casts had one or two stars, a group of supporting players, and a pick-up band of musicians. From "The Sorcerer" onwards, Gilbert and Sullivan wrote operettas for ensemble casts rather than individual stars. Gilbert directed and oversaw set and costume design, while Sullivan oversaw the musical preparation. Encouraged by "The Sorcerer's" profitable run, the authors wrote "HMS Pinafore" which made greater fun of British social conventions. The body of their collaborative work, with their wittiness, crispness and polish, redefined popular musical theatre on both sides of the Atlantic. 
Gilbert and Sullivan operettas typically included a young, heroic protagonist and his love-interest, an elderly woman with fading charms, and a supporting bass-baritone or two. The "patter" or comic baritone, often sang the clever and speedy patter songs. Gilbert and Sullivan fully integrated male and female choruses into the action, making them, collectively, as important as the principal characters. Despite numerous plot complications, the endings of the operetta are usually happy, making them as popular and fresh as when they were written.
Ticket prices for "The Sorcerer" are $9.00 regular admission, $8.00 students and seniors over 65. 
 

Cast of Characters
    SIR MARMADUKE POINTDEXTRE, an Elderly Baronet
    ALEXIS, of the Grenadier Guards, his Son
    DR. DALY, Vicar of Ploverleigh
    NOTARY
    JOHN WELLINGTON WELLS, of J. W. Wells & Co., Family Sorcerers
    LADY SANGAZURE, a Lady of Ancient Lineage
    ALINE, her Daughter, betrothed to Alexis
    MRS. PARTLET, a Pew Opener
    CONSTANCE, her Daughter
    Chorus of Villagers

ACT I

It is mid-day and the villagers of Ploverleigh are assembled in front of the Elizabethan Mansion of Sir Marmaduke Pointdextre, voicing their joy at the betrothal of Sir Marmaduke's heir Alexis to Aline, the only child of an equally aristocratic neighbour, the Lady Sangazure. There is one present, however, who does not share in the general joy. Constance, the daughter of Mrs. Partlet, is downcast and confesses to her mother that she loves (vainly, it seems) the Vicar, Dr. Daly. On his appearance they withdraw and Dr. Daly sings the notable ballad, "Time was when Love and I were well acquainted," in which he laments the days now gone when, as a pale young curate, he had the adoration of the maidens of his flock. Mrs. Partlet, anxious to help Constance, comes forward and leads the conversation to the subject of marriage, but it is obvious from his replies that he looks on himself as a confirmed bachelor, and Constance is led away sobbing by her mother.

The Vicar now turns to welcome Sir Marmaduke and Alexis in weighty language, and with a touch of allegory that pleases Sir Marmaduke, who is a great admirer of the school of stately compliment, and a stickler for "blue blood." He claims that his own family is directly descended from Helen of Troy, and is all for a marriage of pedigree, regarding love as a comparatively unimportant accessory.

Aline makes her appearance and is greeted by the village girls. She acknowledges their good wishes, and her mother, Lady Sangazure, adds her congratulations. The men now welcome Alexis and the lovers greet each other with ecstasy. Then follows a stately duet ("Welcome joy, adieu to sadness") between Sir Marmaduke and Lady Sangazure, who were lovers in their young days. The stately gavotte measure is punctuated by their dreams of what might have been.

A notary has now arrived, all is prepared for signing the marriage contract. This done, Alexis and Aline are left together. Alexis does not agree with the views of his father, and, believing that men and women should be coupled in matrimony without distinction of rank, has done some propaganda on the subject. So far, however, his ideas have only been welcomed by the humbler classes. His own happiness seeming assured, he reveals his scheme for making the whole village happy. He has engaged John Wellington Wells, a Sorcerer, to administer secretly a love-philtre to all the others, which will first send them to sleep, and on their awaking cause them to fall madly in love with the first person of the opposite sex they may see who has also drunk the potion. It has no effect on those already married.

Mr. Wells is introduced in the well-known patter song, and then details are discussed. It is decided that the philtre shall be placed in a large teapot which will be used for the "banquet" to follow. Mr. Wells then proceeds to his horrific Incantation, and after the Fiends have disappeared, the villagers return, make merry, and each drinks of the enchanted tea. The act closes as, after struggling vainly against the charm, all present save Alexis, Aline and the Sorcerer fall insensible.

ACT II


It is midnight, and the villagers are still lying where they have fallen. Mr. Wells, with a great sense of fitness, has had the more exalted members taken home and put to bed "respectably." As the villagers wake, each falls in love with the first person of the opposite sex visible, Constance and the Notary making one couple.

Alexis is so pleased with his success that he urges Aline to join with him in drinking the philtre, in order that nothing may be left to chance. She refuses, and they quarrel. The remaining characters begin to arrive: first Dr. Daly, the worthy Vicar, who is puzzled because, in a village hitherto rather slow in the matter of marriage, he has suddenly had a request for hasty weddings from everyone -- even Sir Marmaduke. Alexis is none too pleased when he finds that the philtre has led the Baronet to fix on Mrs. Partlet, the Pew Opener. Still, he must live up to his opinions, and there is a congratulatory quintet from those concerned.

Mr. Wells, having caused the mischief, falls a victim to his own spell, for Lady Sangazure, entering, sees him and at once adores him. He, on the other hand, not having drunk the philtre, does not reciprocate, and in an amusing duet endeavours to dissuade her. Without success, however, for she threatens to bury her woe in her family vault.

Aline, having pondered the matter, has decided to fall in with her lover's wish, and drinks the philtre. Immediately afterwards, she catches sight of Dr. Daly and of course falls in love with him. He is delighted at his good fortune, but Alexis, coming in full of remorse, is astounded to find his embraces repulsed. Explanations ensue, and the Vicar obligingly offers to quit the country and bury his sorrow "in the congenial gloom of a Colonial Bishopric."

This is not enough, for Aline is still under the influence of the philtre, and no longer loves Alexis. They appeal to Mr. Wells, who reveals that there is one way only in which the spell can be revoked. Either he or Alexis must sacrifice himself to Ahrimanes. Argument ensues, and the issue is put to popular vote; John Wellington Wells loses and disappears into the earth to the sound of a gong.

All quit their temporary partners to rejoin their old lovers, and Sir Marmaduke, claiming Lady Sangazure, invites them all to another feast in his mansion.

    

 

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